| Flouting and Scouting: Rules and Heroic Exceptions.Kertzer, Jonathan |
| Implicit Acts of Filth: the Parodic Virtues of Cleanlinessvan Herk, Aritha |
| “In the Face of a Translation: Power, Pedagogy, and Transformation.”Joseph, Clara |
| “Most excellent warriers, very valiaunt”: Reading Amazons in A Midsummer Night’s Dream and The Two Noble Kinsmen.Inglis, Kirsten |
| 'On the Porousness of Certain Borders': Attending to Objects in David Foster Wallace’s Infinite Jest.Jansen, Brian |
| Practice-based Research and Early Period Theatre Histories: A Performance MethodologyJenkins, Jacqueline in Helen Ostovich Performance as Research in Early English Theatre Studies: The Three Ladies of London> in Context |
| Project E: Etiquette on Public TransitClarke, Brigitte and Goodison, Michele |
| Sharon Pollock: First Woman of Canadian TheatreCoates, Donna |
| “Speculative Practices: Utilizing InfoVis to Explore Untapped Literary Collections.”Moynihan, Bridget |
| Tao, Parrhēsia and the Chinese IntellectualXie, Shaobo |
| The Sundance Kid: Simulacrum of a Visitvan Herk, Aritha |
| The Varronian, the Various, and the Political: A Tale of a Tub, The New Atalantis, and Early Eighteenth-Century FictionOakleaf, David |
| “The Varthamanappusthakam or Is there Justice for the Narrating Subaltern?”Joseph, Clara |
| Twelve-Cent ArchieBeaty, Bart |
| Working it Through: Trauma and Autobiography in Phoebe Gloeckner's A Child's Life and The Diary of a Teenage GirlKøhlert, Frederik Byrn |
| Working Memory: Women and Work in WW IIPerreault, Jeanne and Kadar, Marlene editors |
| Zygmunt Bauman, Postmodern Ethics, and Utopia as Process in Suzanne Collins's The Hunger Games: 'It's the First Gift That's Always the Hardest to Pay Back'Jansen, Brian |