‘A Place with Its Own Shying’: Countering the Aboriginal Uncanny in Vivienne Cleven’s Her Sister’s EyeMayr, Suzette | |
“Betch you’ bootsh!”: Jewish Humour, Jewish Identity, and Yiddish Literary Traditions in Abraham Cahan’s YeklJansen, Brian | |
Calgary, City of AnimalsEllis, James | |
Chinese Beginnings of Cosmopolitanism: A Genealogical Critique of Tianxia GuanXie, Shaobo | |
Comics and MethodologyBeaty, Bart, Scott Bukatman, Henry Jenkins and Benjamin Woo | |
Comics Studies: Fifty Years After Film StudiesBeaty, Bart | |
Dr. Edith Vane and the Hares of Crawley HallMayr, SuzetteDr. Edith Vane, scholar of English literature, is contentedly ensconced at the University of Inivea. Her dissertation on African-Canadian pioneer housewife memoirist Beulah Crump-Withers is about to be published, and her job’s finally safe, if she only can fill out her AAO properly. She’s a little anxious, but a new floral blouse and her therapist's repeated assurance that she is the architect of her own life should fix that. All should be well, really. Except for her broken washing machine, her fickle new girlfriend, her missing friend Coral, her backstabbing fellow professors, a cutthroat new dean – and the fact that the sentient and malevolent Crawley Hall has decided it wants them all out, and the hall and its hellish hares will stop at nothing to get rid of them. Like an unholy collision of Stoner, The Haunting of Hill House, Charlie Brown, and Alice in Wonderland, this audacious new novel by the Giller Prize–longlisted Suzette Mayr is a satire that takes the hallowed halls of the campus novel in fantastical – and unsettling – directions. | |
"Eternity, Now!" Literature and Aesthetics. 27.2 (2017): 74.Joseph, Clara | |
Fin de Siècle Lunacy in Fred Stenson's The Great KarooCoates, Donna in Coates, Donna Writing Alberta: Building a Literary Identity. | |
"Grandma's Recipe for Omelets." S/tick 3.4 (Spring 2017): 6.Joseph, Clara | |
"House of Mirrors": The Sentient House as Homosocial Space in Andrew Pyper's The GuardiansMayr, Suzette | |
'How War Changes Everything' in Timothy Findley's "Stones" and Alistair MacLeod's RemembranceCoates, Donna in Vesna Lopicic, Eds Canada in Short: Contemporary Canada in Short Fiction | |
Les Romancieres Canadiennes de la Grande Guerre et Leurs Heroines MeconnuesCoates, Donna in Serge Joyal and Serge Berier, eds. Le Canada et la France dans La Grande Guerre 1914-1918 | |
Misfit College: The Sentient House as Thing in Joan Lindsay’s Picnic at Hanging RockMayr, Suzette | |
Modernism in Riverdale: Reading the Self-Evident Text AmbiguouslyBeaty, Bart | |
“Movement and the City in The Faerie Queene.”Ellis, James | |
"Nothing Outside." Literature and Aesthetics. 27.2 (2017): 73-74.Joseph, Clara | |
Realist Fiction since 1950: Australia, Canada, New Zealand, South Pacific.Coates, Donna in Coral Ann Howells and Paul Sharrad The Novel in Australia, Canada, New Zealand, and the South Pacific since 1950 | |
"Really Ripe Mangoes." RCLAS E-Zine [ISSN 2291-4269]. September 2017.Joseph, Clara | |
Scale in Literature and CultureClarke, Michael Tavel and Wittenberg, David | |
Superhero Fan Service: Audience Strategies in the Contemporary Interlinked Hollywood BlockbusterBeaty, Bart | |
"The Birthday Gift." RCLAS E-Zine [ISSN 2291-4269]. September 2017. Republished in RCLAS 50th Issue of Wordplay at Work.Joseph, Clara | |
The Greatest Comic Book of All Time: Symbolic Capital in the Field of American Comics BooksBeaty, Bart and Benjamin Woo | |
The New Modernist Studies, Anthropology, and N. Scott Momaday’s The Way to Rainy MountainClarke, Michael Tavel | |
"The Other Eve." Journal of Feminist Studies in Religion. 33 (Spring 2017): 156-157.Joseph, Clara | |
"To Kiss a Little Book." Literature and Aesthetics. 27.2 (2017): 75-76.Joseph, Clara | |
Travel - New York CityClarke, Brigitte | |
Writing Alberta: Building a Literary Identity.Coates, Donna |