| MUSI 104B - Music Listening IV | | |
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| LAB 1 | MWF 12:00 - 12:50
| | | | | | Notes: Location: Rozsa Centre Eckhardt Gramatte Concert Hall | |
| MUSI 209 - Introduction to Music Theory | | |
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| MUSI 213 - Diatonic Harmony | | |
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| MUSI 223 - Performance Practicum II | | |
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| MUSI 225B - Musicianship I | | |
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| LAB 1 | MWF 10:00 - 10:50
| | | | | | Notes: Breakout room CHF 007 | |
| MUSI 233 - Baroque Music | | |
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| MUSI 301.4 - Music and Popular Culture (History of Funk Music) | | |
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| LEC 1 | M 18:00 - 20:50
| | John Charles Reid | | Outline | | Notes: Music majors may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 as Open Options toward their degree. Minors in Music may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 for credit to their degree. | |
| MUSI 301.7 - Music and Popular Culture (NYC Broadway Musicals) | | |
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| LEC 2 | | | John Charles Reid | | | | Notes: Please note that there will be an orientation session in the Fall 2013 semester to inform of course expectations, trip schedule and course timeline. Students who cannot attend the scheduled orientation will be accommodated. The Field Trip portion to New York City will take place from December 26, 2013- January 7th 2014. There will be assignments due in the Winter semester, with a registrar¿s scheduled final exam in the regular exam time period in April. | |
| MUSI 301.8 - Music and Popular Culture (NYCJazz:ListeningandHistory) | | |
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| LEC 3 | | | John Charles Reid | | | | Notes: Please note that there will be an orientation session in the Fall 2013 semester to inform of course expectations, trip schedule and course timeline. Students who cannot attend the scheduled orientation will be accommodated. The Field Trip portion to New York City will take place from December 26, 2013- January 7th 2014. There will be assignments due in the Winter semester, with a registrar¿s scheduled final exam in the regular exam time period in April. | |
| MUSI 302 - Music in Popular Culture: Performers | | |
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| LEC 1 | MW 15:30 - 16:45
| | Ralph Maier | | Outline | | Notes: Lec 01 is a multimedia survey course exploring the music of Led Zeppelin. Discussions will center on an album-by-album survey of the band's music and will include detailed analyses of significant works.
Music majors may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 as Open Options toward their degree. Minors in Music may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 for credit to their degree. | |
| MUSI 303 - World Music | | |
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| LEC 1 | W 18:00 - 20:50
| | Rod Squance | | Outline | | Notes: Please note that this course is no longer repeatable for credit as of Fall 2013. You may not take this more than once and receive credit on your degree. | |
| MUSI 305 - Composers & Musical Cultures | | |
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| LEC 1 | MWF 10:00 - 10:50
| | | | Outline | | Notes: Composers and Musical Cultures: An Introduction to Vocal Music: An introduction to a wide range of vocal music and how it has evolved into the music that is created today. Attendance at three concerts will be mandatory. Please note that this course is no longer repeatable for credit as of Fall 2013. You may not take this more than once and receive credit on your degree.
Music majors may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 as Open Options toward their degree. Minors in Music may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 for credit to their degree. | |
| MUSI 313 - Materials of 20th Century Music | | |
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| MUSI 323 - Performance Practicum IV | | |
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| MUSI 325B - Musicianship II | | |
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| MUSI 327 - Second Instrument Study | | |
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| LEC 1 | | | | | | | Notes: Department consent required Mandatory Course Supplementary Fee of $450.00 is required. | | LAB 1 | | | | | | |
| MUSI 333 - Late Romantic & Modern Music | | |
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| MUSI 343 - Composition II | | |
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| MUSI 355 - Sound Recording | | |
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| MUSI 401 - Music and the Humanities | | |
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| LEC 1 | MW 15:30 - 16:45
| | David Eagle | | Outline | | Notes: FLIP, taught in French. Ce cours est une introduction à l'écoute et à l'étude des différents arts sonores y compris la musique électroacoustique. Grâce à des discussions, des lectures et des travaux écrits, ainsi que des séances d'écoute et de travail dans le laboratoire des arts sonores, on explorera les différents chemins de l'écoute, et la façon dont les sons sont transformés dans l'imagination du compositeur.
Music majors may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 as Open Options toward their degree. Minors in Music may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 for credit to their degree. | |
| MUSI 403.1 - Topics in World Music (World Hand Drumming) | | |
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| MUSI 405.1 - Topics in Musical Culture (Russian Music and Culture) | | |
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| LEC 1 | TR 14:00 - 15:15
| | | | | | Notes: Music majors may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 as Open Options toward their degree. Minors in Music may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 for credit to their degree. | |
| MUSI 405.2 - Topics in Musical Culture (Romantic Piano Music) | | |
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| LEC 2 | TR 11:00 - 12:15
| | Charles Lindsay Foreman | | Outline | | Notes: Music majors may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 as Open Options toward their degree. Minors in Music may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 for credit to their degree. | |
| MUSI 423 - Performance Practicum VI | | |
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| MUSI 427B - Professional Seminar in Music Performance I | | |
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| SEM 1 | W 16:00 - 17:50
| | | | | | Notes: Location Eckhardt Gramatte, Rosza Centre | |
| MUSI 447 - Orchestration | | |
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| MUSI 451 - Electroacoustic Music | | |
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| MUSI 462B - Junior Performance Project | | |
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| MUSI 523 - Performance Practicum VIII | | |
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| MUSI 527B - Professional Seminar in Music Performance II | | |
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| SEM 1 | W 16:00 - 17:50
| | | | | | Notes: Location Eckhardt Gramatte, Rosza Centre | |
| MUSI 533.6 - Selected Topics in Musicology (Culture in France, 1870-1918) | | |
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| MUSI 560B - Senior Project | | |
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| MUSI 561.13 - Independent Study (Sonic Design) | | |
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| MUSI 561B.11 - Independent Study (20thc Violin Literature) | | |
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| MUSI 562B - Senior Performance Project | | |
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| MUSI 621 - Advanced Performance Practicum I | | |
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| MUSI 623 - Advanced Performance Practicum II | | |
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| MUSI 633.6 - Selected Topics in Musicology (Culture in France, 1870-1918) | | |
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| MUSI 633.7 - Selected Topics in Musicology (Music Place & Displacement) | | |
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| LEC 2 | T 09:00 - 11:50
| | Friedemann Sallis | | Outline | | Notes: This seminar will examine what happens when composers and their music move. We will consider how ideas of place and identity impinge on the creation and interpretation of twentieth-century art music. Our primary objects of study will be a broad range of composers, performers and scholars whose careers and work were influenced by the catastrophic events that marked the past hundred years. Among these will be musicians who chose to come to Canada (István Anhalt and Oscar Morawetz, to name only two). In cases such as these we will investigate the reciprocal relationship that exists between artistic endeavour and a sense of place. (NB while music literacy is certainly an asset, it is not a requirement. Students who cannot read music can take the course for credit and will not be handicapped.) | |
| MUSI 637 - Pro-Seminar in Music for Graduate Students | | |
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| MUSI 641.2 - Composition (Composition II) | | |
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| MUSI 651.1 - Selected Topics in Electroacoustic Music (Sound and Image) | | |
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| MUSI 653.1 - Projects in Computer Music (Sonic Design) | | |
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| MUSI 661.12 - Independent Study (Music Composition for Dance) | | |
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| MUSI 733.1 - Selected Topics in Musicology (Music Place & Displacement) | | |
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| LEC 1 | T 09:00 - 11:50
| | Friedemann Sallis | | Outline | | Notes: This seminar will examine what happens when composers and their music move. We will consider how ideas of place and identity impinge on the creation and interpretation of twentieth-century art music. Our primary objects of study will be a broad range of composers, performers and scholars whose careers and work were influenced by the catastrophic events that marked the past hundred years. Among these will be musicians who chose to come to Canada (István Anhalt and Oscar Morawetz, to name only two). In cases such as these we will investigate the reciprocal relationship that exists between artistic endeavour and a sense of place. (NB while music literacy is certainly an asset, it is not a requirement. Students who cannot read music can take the course for credit and will not be handicapped.) | |
| MUSI 741.2 - Composition (Composition II) | | |
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| MUSI 751.1 - Advanced Topics in Electroacoustic Music (Sound and Image) | | |
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| MUSI 753.1 - Advanced Projects in Computer Music (Sonic Design) | | |
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