| MUSI 101B - Music Listening I | | |
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| MUSI 102B - Music Listening II | | |
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| MUSI 104B - Music Listening IV | | |
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| MUSI 209 - Introduction to Music Theory | | |
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| MUSI 213 - Diatonic Harmony | | |
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| MUSI 223 - Performance Practicum II | | |
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| MUSI 225B - Musicianship I | | |
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| MUSI 233 - Baroque Music | | |
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| MUSI 301 - Music and Popular Culture | | |
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| MUSI 303 - World Music | | |
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| LEC 1 | W 18:00 - 20:50
| | Rod Squance | | Outline | | Notes: Please note that this course is no longer repeatable for credit as of Fall 2013. You may not take this more than once and receive credit on your degree. | |
| MUSI 304 - Music in Popular Culture: Musical Theatre | | |
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| LEC 1 | | | John Charles Reid | | Outline | | Notes: Notes: Please note that there will be an orientation session in the Fall 2014 semester to inform of course expectations, trip schedule and course timeline. Students who cannot attend the scheduled orientation will be accommodated. The Field Trip portion to New York City will take place from December 26, 2014 to January 7, 2015. There will be assignments due in the Winter semester, with a registrar¿s scheduled final exam in the regular exam time period in April. | |
| MUSI 305 - Composers & Musical Cultures | | |
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| LEC 1 | R 14:00 - 16:50
| | Friedemann Sallis | | Outline | | Notes: FLIP, taught in French. Les connaissances de base de la musique européenne des XVIIIe, XIXe et XXe siècles seront introduites aux étudiant(e)s. Outre l¿information historique, le cours présentera des notions techniques qui permettront aux amateurs d¿écouter des œuvres de musique de chambre, symphonique et opératique plus en profondeur. Durant le semestre, les étudiant(e)s seront invité(e)s d¿assister à plusieurs concerts. Pour ce cours, la capacité de lire la musique est certainement un avantage, mais elle n¿est pas une obligation. Nous examinerons aussi les contextes sociologiques dans lesquels cette musique a évolué. Par ailleurs, les devoirs seront conçus pour renforcer les techniques de recherche et la capacité des étudiant(e)s à communiquer oralement et par écrit. | |
| MUSI 313 - Materials of 20th Century Music | | |
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| MUSI 323 - Performance Practicum IV | | |
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| MUSI 325B - Musicianship II | | |
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| MUSI 327.02 - Second Instrument Study II | | |
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| MUSI 333 - Late Romantic & Modern Music | | |
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| MUSI 343 - Composition II | | |
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| MUSI 355 - Sound Recording | | |
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| MUSI 401 - Music and the Humanities | | |
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| MUSI 402.4 - Topics in Popular Music (African Effect in Music) | | |
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| MUSI 402.6 - Topics in Popular Music (NYC Jazz: Listening & History) | | |
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| LEC 2 | | | John Charles Reid | | Outline | | Notes: Notes: Please note that there will be an orientation session in the Fall 2014 semester to inform of course expectations, trip schedule and course timeline. Students who cannot attend the scheduled orientation will be accommodated. The Field Trip portion to New York City will take place from December 26, 2014 to January 7, 2015. There will be assignments due in the Winter semester, with a registrar¿s scheduled final exam in the regular exam time period in April. | |
| MUSI 403.1 - Topics in World Music (World Hand Drumming) | | |
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| MUSI 405.2 - Topics in Musical Culture (Romantic Piano Music) | | |
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| LEC 2 | TR 11:00 - 12:15
| | Marilyn Engle | | Outline | | Notes: Music majors may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 as Open Options toward their degree. Minors in Music may count no more than 1.0 full-course equivalent from Music 201, 301, 302, 304, 305, 401, 402 and 405 for credit to their degree. | |
| MUSI 423 - Performance Practicum VI | | |
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| MUSI 427B - Professional Seminar in Music Performance I | | |
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| SEM 1 | W 16:00 - 17:50
| | Dean O'Brien | | | | Notes: Location: Eckhardt- Gramatte Hall- Rozsa Centre | |
| MUSI 443 - Composition IV | | |
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| MUSI 445 - Counterpoint | | |
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| MUSI 462B - Junior Performance Project | | |
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| MUSI 511.5 - Selected Topics in Theory and Composition (CritApproachtoMusicTheory) | | |
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| MUSI 521 - Performance Practicum VII | | |
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| MUSI 523 - Performance Practicum VIII | | |
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| MUSI 527B - Professional Seminar in Music Performance II | | |
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| SEM 1 | W 16:00 - 17:50
| | Dean O'Brien | | | | Notes: Location: Eckhardt- Gramatte Hall- Rozsa Centre | |
| MUSI 533.7 - Selected Topics in Musicology (Music and Culture in Vienna) | | |
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| MUSI 533.8 - Selected Topics in Musicology (John Roberts Golden Age of CBC) | | |
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| LEC 1 | R 09:00 - 11:50
| | Friedemann Sallis | | Outline | | Notes: The purpose of this seminar is to examine the role that John Roberts played as head of Radio Music at the CBC during the years leading up to and following the Centennial celebration in 1967. This was a period during which Canadian composers (John Beckwith, R. Murray Schafer, John Weinzweig, et al.) and performers (Glenn Gould) had unprecedented access to technology and resources allowing them to produce and promote their art. The seminar will coincide with the opening of the John Roberts Fonds (Special Collections, TFDL). This should provide an opportunity for students registered in this seminar to acquire archival skills, while at the same time studying the history of music and the growth of cultural infrastructure in Canada. | |
| MUSI 560B - Senior Project | | |
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| MUSI 561.16 - Independent Study (Chamber Music, Strings) | | |
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| MUSI 561.17 - Independent Study (Chamber Music, Trio) | | |
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| MUSI 562B - Senior Performance Project | | |
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| MUSI 611.1 - Selected Topics in Theory and Composition (CritApproachtoMusicTheory) | | |
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| MUSI 621 - Advanced Performance Practicum I | | |
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| LEC 1 | | | | | | | Notes: Mandatory Course Supplementary Fee of $450.00 is required. | | LAB 1 | | | | | | |
| MUSI 623 - Advanced Performance Practicum II | | |
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| MUSI 633.10 - Selected Topics in Musicology (Music & Culture in Vienna) | | |
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| MUSI 633.9 - Selected Topics in Musicology (JohnRobertsGoldenAgeofCBC) | | |
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| LEC 1 | R 09:00 - 11:50
| | Friedemann Sallis | | Outline | | Notes: The purpose of this seminar is to examine the role that John Roberts played as head of Radio Music at the CBC during the years leading up to and following the Centennial celebration in 1967. This was a period during which Canadian composers (John Beckwith, R. Murray Schafer, John Weinzweig, et al.) and performers (Glenn Gould) had unprecedented access to technology and resources allowing them to produce and promote their art. The seminar will coincide with the opening of the John Roberts Fonds (Special Collections, TFDL). This should provide an opportunity for students registered in this seminar to acquire archival skills, while at the same time studying the history of music and the growth of cultural infrastructure in Canada. | |
| MUSI 637 - Pro-Seminar in Music for Graduate Students | | |
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| MUSI 641.2 - Composition (Composition II) | | |
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| MUSI 653.2 - Projects in Computer Music (Programming & Interactivity) | | |
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| MUSI 661.16 - Independent Study (Performance & Integrated Arts) | | |
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| MUSI 661.17 - Independent Study (Electroacoustic Analysis) | | |
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| MUSI 661.3 - Independent Study (Applied Vocal Pedagogy) | | |
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| MUSI 741.2 - Composition (Composition II) | | |
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| MUSI 741.3 - Composition (Composition III) | | |
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| MUSI 753.2 - Advanced Projects in Computer Music (Programming & Interactivity) | | |
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