| DRAM 210 - Introduction to Acting II | | |
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| DRAM 223 - Introduction to Theatre Production | | |
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| LEC 1 | MTWRF 08:30 - 16:30
| | Scott Reid | | Outline | | Notes: This course consists of 35 hours of instruction time during the Winter Block Week term and 50 hours of production (generally 5 hours for 10 days) as assigned by the instructor. Participation on the production crews of Drama productions outside of scheduled class time is required, including evenings and weekends as assigned. Please review the course outline closely to understand the expectations of the course. | |
| DRAM 225 - Introduction to Scenography | | |
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| LEC 1 | T 15:30 - 17:20
| | | | Outline | | LAB 1 | R 15:30 - 17:20
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| DRAM 243 - Introduction to the Practice of Drama | | |
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| DRAM 302 - Intermediate Acting II | | |
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| DRAM 320 - Introduction to Lighting Design | | |
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| DRAM 321B - Stage Management | | |
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| DRAM 347 - History of the Theatre: The Late Eighteenth Century to the Present | | |
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| DRAM 348 - Seminar in Drama II | | |
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| DRAM 360B - Performance Creation I | | |
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| DRAM 391 - Performance Practicum I | | |
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| DRAM 393 - Performance Practicum II | | |
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| DRAM 400B - Advanced Acting I | | |
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| DRAM 413 - Directing I | | |
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| DRAM 455.2 - Advanced Topics in Canadian Theatre and Drama (Political Theatre) | | |
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| LEC 1 | TR 14:00 - 15:15
| | | | Outline | | Notes: The course text will be a revised version of Arthur Milner¿s Political Theatre, Modernist Marxism, and the Avant-Garde (Master¿s Thesis, Carleton University 2002). In addition, students will be expected to read 20 plays and 5 essays. The course will review different approaches to political theatre, including realism and naturalism; Expressionism, Surrealism, Absurdism, agitprop, Epic Theatre, Theatre of Cruelty; and a variety of more modern approaches, including Forum, collective, site specific, immersive, and devised theatre. | |
| DRAM 471 - Playwriting | | |
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| LAB 1 | R 15:30 - 17:20
| | Clem Martini | | | | SEM 1 | T 15:30 - 17:20
| | Clem Martini | | Outline | | Notes: Interested students should submit a portfolio application. Please contact the SCPA Undergraduate Program Administrator (jperrott@ucalgary.ca) for further details. | |
| DRAM 483.12 - Advanced Topics in Theatre Studies (Tony Kushner) | | |
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| SEM 3 | R 14:00 - 16:50
| | Heery Lynn | | Outline | | Notes: This course will focus on the works of American playwright Tony Kushner, particularly his Pulitzer Prize and Tony winning play "Angels in America" (Part I "Millennium Approaches" and Part II "Perestroika"). | |
| DRAM 483.2 - Advanced Topics in Theatre Studies (Contemporary Women Playwri) | | |
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| SEM 1 | T 12:30 - 15:15
| | Penelope Farfan | | Outline | | Notes: This course will approach the field of contemporary drama through the work of women playwrights, with particular attention to plays from the 1990s to the present. Play readings will encompass a variety of forms (e.g., comedy, tragedy, the history play, the theatre history play) and topics (e.g., women¿s rights, war, sexual violence, climate change). Through this approach, students will gain an in-depth understanding of key concerns and dramaturgical strategies of a range of women playwrights, as well as insight into the wider field of contemporary drama. Course readings may include plays by April De Angelis, Margaret Atwood, Chantal Bilodeau, Marina Carr, Caryl Churchill, Marie Clements, Linda Griffiths, Sarah Kane, Lisa Loomer, Colleen Murphy, Lynn Nottage, Suzan-Lori Parks, Anusree Roy, Sarah Ruhl, Djanet Sears, Judith Thompson, and Paula Vogel, among others, as well as related theoretical and critical texts. | |
| DRAM 491 - Performance Practicum III | | |
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| DRAM 493 - Performance Practicum IV | | |
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| DRAM 500B - Advanced Acting II | | |
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| DRAM 517 - Scenography IV | | |
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| DRAM 571.2 - Directed Studies I (Human-Computer Interaction) | | |
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| DRAM 571.3 - Directed Studies I (Jawbone Sound and Lights) | | |
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| DRAM 571.30 - Directed Studies I (Indigenous Application) | | |
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| DRAM 571.4 - Directed Studies I (Writing Immersive Theatre) | | |
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| DRAM 571.6 - Directed Studies I (AD Actually at ATP) | | |
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| DRAM 571.7 - Directed Studies I (Drama and HCI) | | |
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| DRAM 610B - Selected Problems In Directing | | |
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| DRAM 623.2 - Seminar in Scene Design (Scenography) | | |
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| LAB 1 | F 11:00 - 12:50
| | | | | | SEM 1 | F 13:00 - 14:50
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| DRAM 625.1 - Seminar in Costume Design (Costume Design I) | | |
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| LAB 1 | M 15:00 - 16:50
| | | | | | SEM 1 | M 13:00 - 14:50
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| DRAM 649 - Studies in Modern Drama II | | |
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| SEM 1 | T 12:30 - 15:15
| | Penelope Farfan | | Outline | | Notes: Contemporary Women Playwrights. As campaigns for gender parity such as 50/50 in 2020 (US) and Equity in Theatre (Canada) make clear, women remain under-represented in twenty-first-century theatre. At the same time, recent global 'women's marches' in response to Donald Trump's inauguration and social media awareness-campaigns such as #BeenRapedNeverReported make clear that feminism is far from 'post' in the new millennium and is in fact highly visible and current. This seminar will look at playwriting by women from the 1990s to the present, identifying some of the key concerns and theatrical/dramaturgical strategies that distinguish their work. Course readings may include plays by Caryl Churchill, Marie Clements, Sarah Kane, Lucy Kirkwood, Young Jean Lee, Lara Foot Newton, Madeleine George, Hannah Moscovitch, Colleen Murphy, Lynn Nottage, Suzan-Lori Parks, Anusree Roy, Djanet Sears, Sarah Ruhl, and Judith Thompson among others, as well as related theoretical and critical texts. | |
| DRAM 651.24 - Directed Studies (Historical Drama) | | |
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| DRAM 651.25 - Directed Studies (Prof Dramaturgical Strategies) | | |
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| DRAM 651.26 - Directed Studies (Trauma and Performance) | | |
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| DRAM 651.27 - Directed Studies (Performing Autobiography) | | |
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| DRAM 651.28 - Directed Studies (Adapting Shakespeare) | | |
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| DRAM 651.29 - Directed Studies (Feminist Clown Creation) | | |
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| DRAM 651.30 - Directed Studies (Opera and Interdisciplinarity) | | |
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| DRAM 673 - Selected Problems in Playwriting II | | |
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